| It wasn't long before Broad
realized that he too could be the frontman of a punk band, and assumed
the name Billy Idol
shortly thereafter. After a stint playing guitar in a group called Chelsea
didn't pan out (interestingly, the group featured future Clash guitarist
Mick Jones and future Damned guitarist Brian James), Idol put down the
guitar and picked up the mic, and recruited bassist Tony James, drummer
John Towe, and guitarist Bob Andrews, forming Generation X in 1976.
Named after a 1960s paperback book, the band signed a recording contract
with Chrysalis shortly thereafter (Towe was replaced with new skinsman
Mark Laff) -- resulting in such releases as 1978's self-titled debut,
1979's Valley of the Dolls, and 1981's Kiss Me Deadly -- before
splitting up.
Disappointed with Generation X's demise, Billy
Idol relocated to New York City, where he pursued a career as a solo
artist. Hooking up with Kiss
manager Bill Aucoin, Idol issued the 1981 EP Don't Stop (comprised of a
cover of Tommy James' '60s hit "Mony Mony" and a pair of
remixed Generation X tracks), which helped the singer score another
record deal with his former band's label, Chrysalis. Idol found the
perfect collaborator and partner in guitarist/Johnny Thunders look-alike
Steve Stevens, and issued a self-titled debut in July of 1982. A pair of
eye-catching videos for the tracks "White Wedding" and
"Dancing With Myself" (the latter a remake of a Generation X
composition) scored major air time on MTV, with both clips focusing in
on Idol's spiky, peroxide blonde hair and Elvis-like
sneer. The debut eventually obtained gold certification, and set the
stage perfectly for Idol's big commercial breakthrough, 1984's Rebel
Yell.
Rebel Yell became the singer's
best-selling album of his career (eventually going double platinum),
spawning such big-time MTV/radio hits as the album's anthemic title
track, "Eyes Without a Face," and "Flesh for
Fantasy," establishing Idol as an arena headliner stateside. But
with massive success came its many distractions, which prevented Billy
Idol from issuing a new studio album until three years after Rebel
Yell. 1987's Whiplash Smile was another sizeable hit on the strength of
such hits as "To Be a Lover" and "Sweet Sixteen,"
but failed to live up to the lofty expectations set by his previous
releases. Stevens jumped ship shortly thereafter to launch his own band,
Steve Stevens' Atomic Playboys (and eventually was a member of Mötley
Crüe singer Vince Neil's solo band), leaving Idol to fend for himself.
An eight-track best-of set, Vital Idol,
was issued later the same year, spawning one of the year's most heavily
played MTV videos -- a live version of the previously recorded cover of
"Mony Mony" -- which helped keep Idol in the spotlight. Billy
Idol spent the next few years working on his fourth studio release,
but reappeared in the summer of 1989 as part of an all-star rendition of
the
Who's Tommy, with Idol playing the role of the sadistic character
Cousin Kevin. Around the time of Idol's next release, 1990's Charmed
Life, the singer was involved in a serious motorcycle accident (in which
he almost lost his leg), forcing the singer to walk with a cane for a
period of time; the video for the album's lead-off single, "Cradle
of Love," featured the singer filmed from the waist up. The ploy
worked, as the single (which was also used as the theme song in the
failed Andrew "Dice" Clay movie, Ford Fairlane) was another
smash hit, making Charmed Life the fourth Idol album in a row to achieve
at least reach platinum sales.
Expectedly, several years passed before
the release of Idol's next album, during which time he tried his hand at
acting with a bit part in Oliver Stone's motion picture The
Doors. By the time 1993's Cyberpunk surfaced, Billy
Idol had dropped his spiky peroxide hairstyle in place of
dreadlocks, and experimented with techno beats. The move proved to be an
unwise one, as the album tanked and sank from the charts. At the same
time, Idol was knee deep in drug addiction, resulting in another close
brush with death when he overdosed and had to be treated in a Los
Angeles hospital in 1994. Not much was heard from Idol until 1998, when
he made a cameo appearance (as himself) in the hit Adam
Sandler/Drew
Barrymore comedy The Wedding Singer, which resulted in renewed
interest. Idol teamed up once again with Stevens, was the subject of a
VH1: Behind the Music special (as well as a Storytellers episode for the
channel, which was ultimately issued as a CD), and issued a more
extensive Greatest Hits set in 2001; the latter of which sold 500,000
copies in the U.S. alone. Next up was his first studio album since
Cyberpunk, Devil's Playground, released on Sanctuary in 2005. ~ Greg
Prato, All Music Guide
Bio From: VH1 |